|  | | | | | | From Chapter 1: So far Hariot's "Report" regarded tobacco from the medicinal point of view only; but it is important to note that he goes on to describe his personal experience of the practice of smoking in words that suggest the pleasurable nature of the experience. He says: "We ourselves during the time we were there used to suck it after their maner, as also since our returne, and have found maine [? manie] rare and wonderful experiments of the vertues thereof: of which the relation woulde require a volume by itselfe: the use of it by so manie of late, men and women of great calling as else, and some learned Physitians also, is sufficient witness."
From Chapter 6: Sir Roger de Coverley, as a typical country squire, was naturally a smoker. He presented his friend the Spectator, the silent gentleman, with a tobacco-stopper made by Will Wimble, telling him that Will had been busy all the early part of the winter in turning great quantities of them, and had made a present of one to every gentleman in the county who had good principles and smoked. When Sir Roger was driving in a hackney-coach he called upon the coachman to stop, and when the man came to the window asked him if he smoked. While Sir Roger's companion was wondering "what this would end in," the knight bid his Jehu to "stop by the way at any good Tobacconist's, and take in a Roll of their best Virginia." And when he visited Squire's near Gray's Inn Gate, his first act was to call for a clean pipe, a paper of tobacco, a dish of coffee, a newspaper and a wax candle; and all the boys in the coffee-room ran to serve him. The wax candle was of course a convenience in matchless days for pipe-lighting. The "paper of tobacco" was the equivalent of what is now vulgarly called a "screw" of tobacco.
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From Chapter 4: It seems likely that Richard Cromwell was a smoker. In 1689, long after he had retired into private life and had ample leisure for blowing clouds, he sent to a friend a "Boxe of tobacco," which was described as "A.J. Bod (den's) ... best Virginnea." In a letter to his daughter Elizabeth, dated 21 January 1705, there is a reference to this same dealer, whom he describes as "Adam Bodden, Bacconist in George Yard, Lumber [Lombard] Street." The allusion is worth noting as a very early instance of the colloquial trick of abbreviation familiar in later days in such forms as "baccy" and "bacca" and their compounds.
From Chapter 8: Angelo gives some lively pictures of scenes of this kind in the London of about 1780. The Turk's Head, in Gerrard Street, was the meeting-place for "a knot of worthies, principally 'Sons of St. Luke,' or the children of Thespis, and mostly votaries of Bacchus," as the old fencing-master, who loved a little "fine writing," describes them; and here they sat, he says, "taking their punch and smoking, the prevailing custom of the time." About the same time ( circa 1790) an evening resort for purposes mostly vicious was the famous Dog and Duck, in St. George's Fields. "The long room," says Angelo, "if I may depend on my memory, was on the ground floor, and all the benches were filled with motley groups, eating, drinking, and smoking." Angelo also mentions the "Picnic Society," a celebrated resort of fashion at the beginning of the nineteenth century, where the odour of tobacco never penetrated. It afforded, he says in his fine way, "a sort of antipodeal contrast to these smoking tavern clubs of the old city of Trinobantes." The same writer speaks of a certain Monsieur Liviez whom he met in Paris in 1772, who had been one of the first dancers at the Italian Opera House, and maître de ballet at Drury Lane Theatre. This gentleman was addicted to self-indulgence, loved good eating, and good and ample drinking, and moreover kept "late hours, Ã l'Anglaise, smoked his pipe, and drank oceans of punch."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: Ben Jonson has given us an amusing picture of the behaviour of gallants on the Elizabethan stage, in his "Cynthia's Revels." In this scene a child thus mimics the obtrusive beau: "Now, sir, suppose I am one of your genteel auditors, that am come in (having paid my money at the door, with much ado), and here I take my place, and sit downe. I have my three sorts of tobacco in my pocket, my light by me, and thus I begin. 'By this light, I wonder that any man is so mad, to come to see these rascally tits play here—they do act like so many wrens—not the fifth part of a good face amongst them all—and then their musick is abominable—able to stretch a man's ears worse than ten—pillories, and their ditties—most lamentable things, like the pitiful fellows that make them—poets. By this vapour—an't were not for tobacco—I think—the very smell of them would poison me, I should not dare to come in at their gates. A man were better visit fifteen jails—or a dozen or two hospitals—than once adventure to come near them.'" And the young rascal, who at each pause marked by a dash had puffed his pipe, no doubt blowing an extra large "cloud" when he swore "by this vapour," turns to his companions and says: "How is't? Well?" and they pronounce his mimicry "Excellent!"
From Chapter 7: Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters. In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.
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